Tuesday, 25 October 2011
Playing Hookey
I had a lovely day yesterday; away from the loom but still weaving related. I drove up to Twickenham (via Ham and Petersham) to help take down the BTG exhibition which has been at the Stables Gallery, Orleans House since July. Efficient planning by Mike et al meant that we were finished by lunchtime, so my WD chum Pilar and I went off for lunch together, which became a walk along the Thames, a drive through Richmond Park, tea and then supper at her house in Putney. We reminisced about our time at WD, but also talked a lot about what we are doing (and planning to do) in our present studios, exhibitions we must go to and so on. Left London at 9.30 and had a clear run back until the A27 bridge 'behind' my house (I think of it as MY bridge because I go over it almost every day, and under it fairly often), where bits of concrete had fallen or been knocked off, and were being repaired. Frustrating to be less than a quarter mile from home and not able to get there! Intriguing to ponder how it happened. Not too long a delay, so home and in bed by 11.30. Back to the Grey Lady today, although being half term we may have lots of visitors at Time Machine who desperately want to learn to weave. We shall see.
Friday, 21 October 2011
At the End of the Day
We had a few interesting visitors today - including another weaver (cloth) who remembered seeing Lament at West Dean, and who used to be a tutor there many moons ago. I still managed to get quite a bit done of the fiddly area of the upper thigh (6 bobbins / butterflies in about three inches; I feel like a lacemaker!). I am planning to go in to the studio tomorrow morning to work on the neck and shoulder area. The lines all slope to the left, so it has to be filled from left to right. One of Paul's 'regulars' is a good and keen photographer and is going to bring in a tripod and help me with photographing her for the exhibition entry - he has already provided me with an adjustable height stool to work from, so no more Wurlitzer or Portsmouth FC leftovers for me. The 3 mile drive through the wooded lanes to the studio is a delight at the moment. I intend to cycle it one day. Hold me to that dear Reader.
Thursday, 20 October 2011
Finished Head.....
This was how she looked at lunchtime yesterday. Pleased with myself, so had a bit of playtime with COLOURS, revisiting the optical colour mixing tapestry that I have in mind. I also added a bit more to the sample loom that I have set up in the studio so that visitors can try weaving. Strictly speaking I had to subtract somewhat; at the weekend when I was elsewhere, a child had done a whole section in the most marvellous (and presumably accidental) double soumak!! Very nice, but unhelpful to anyone who wants to try authentic plain weave.
Back to the Grey Lady today, as although I had the closing date for entries to ATB9 in mind (31st Oct), what I did not have in mind is how far October has progressed already. Doh! She will be finished (if not cut off the loom - we want to have a ceremony / open studio for friends and guests), it is just whether the post will get there in time......
Sunday, 16 October 2011
If you are in the vicinity...
the studio address is
The Time Machine
Funtington
West Sussex
PO18 8EF
I am usually there 10-5 Monday to Friday, but it is worth calling first just in case. Weekends by appointment.
We like visitors, and treat them very well.
The Time Machine
Funtington
West Sussex
PO18 8EF
I am usually there 10-5 Monday to Friday, but it is worth calling first just in case. Weekends by appointment.
We like visitors, and treat them very well.
Friday, 14 October 2011
Where I Have Got To....
A bright shaft of sunlight warms her feet. Admire my lovely weaving bench (and the Wurlitzer stool stage right)
Detail of head progress, ready to resume next week.
Her crossed ankles and right foot.
We have had a lot of visitors in the last couple of days which has slowed things down a little, but it is good to talk about work and 'educate' the public as to the work of an artist and the techniques of tapestry.
We heard yesterday that we have funding for the sensory garden, which includes two commissioned tapestries; an upright 'landscape' of textures and found objects, and a floor-based touch/soundscape of contrasting textures and materials which produce sounds when touched. This is all part of Paul's vision of a resource for full spectrum families. It is such a privilege to work in such a space.
Detail of head progress, ready to resume next week.
Her crossed ankles and right foot.
We have had a lot of visitors in the last couple of days which has slowed things down a little, but it is good to talk about work and 'educate' the public as to the work of an artist and the techniques of tapestry.
We heard yesterday that we have funding for the sensory garden, which includes two commissioned tapestries; an upright 'landscape' of textures and found objects, and a floor-based touch/soundscape of contrasting textures and materials which produce sounds when touched. This is all part of Paul's vision of a resource for full spectrum families. It is such a privilege to work in such a space.
Thursday, 13 October 2011
Better Late Than Never...
Lady on the loom; I have now completed her feet and am half way up the torso and head. Working from a platform 'wombled' from Portsmouth FC. Before that I was perched on a pile of cushions atop a Wurlitzer organ stool. Precarious and reminiscent of the Princess and the Pea.....
South West corner of the museum...
North West corner (I am but mad North - North West...) These are the old projectors from the cinema at the now defunct Graylingwell Psychiatric Hospital.
Some marks on the top of Lament
Lament hanging between two trees. There are plans to take her on tour; watch this space.
South West corner of the museum...
North West corner (I am but mad North - North West...) These are the old projectors from the cinema at the now defunct Graylingwell Psychiatric Hospital.
Some marks on the top of Lament
Lament hanging between two trees. There are plans to take her on tour; watch this space.
Saturday, 1 October 2011
Lawks! Is it really that long?
On August 18th I moved into my new home, and last week I moved into the Time Machine and started as the Artist in Residence. No internet for a while at home, but no real news to post either until now.
'Lament' is hanging in the grounds at the new studio.
I have ordered new business, change of address and post cards.
I will normally be in the studio 10am - 5pm Monday to Friday, and visitors will be most welcome - and may even find themselves with fresh baked bread or a cream tea! The Time Machine is a most fascinating place ( I will link it, and post some photos next week).
I have also found a Life Class locally, and the discipline of drawing has generated some new ideas already; I have about five tapestries in my head, and lots of thoughts about more accessible and affordable (i.e quicker to make) works too (a girl has to find a way to pay bills).
All-in-all, I am as happy as a clam.
Which will be good news for those who thought my email silence meant that I had fallen off the edge of the world.
'Lament' is hanging in the grounds at the new studio.
I have ordered new business, change of address and post cards.
I will normally be in the studio 10am - 5pm Monday to Friday, and visitors will be most welcome - and may even find themselves with fresh baked bread or a cream tea! The Time Machine is a most fascinating place ( I will link it, and post some photos next week).
I have also found a Life Class locally, and the discipline of drawing has generated some new ideas already; I have about five tapestries in my head, and lots of thoughts about more accessible and affordable (i.e quicker to make) works too (a girl has to find a way to pay bills).
And I love living near the sea.
All-in-all, I am as happy as a clam.
Which will be good news for those who thought my email silence meant that I had fallen off the edge of the world.
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